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After Mountains and Sea: Frankenthaler 1956-1959 (Guggenheim Museum Publications)In 1952, at the age of 23, Helen Frankenthaler created her legendary painting Mountains and Sea. She poured thinned-down pigment directly onto unprimed canvas to be absorbed into its fibers. This large painting, the first in which Frankenthaler used her soak-stain technique, synthesized the influences that had informed her work to that point and announces her arrival as a mature artist. Published to accompany a 1998 exhibition at the Solomon R. Guggenheim Museum, New York, this book focuses on M... |
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After NaturePublished to accompany the acclaimed summer 2008 After Nature exhibition at New York's New Museum, this unique catalogue pays tribute to the work of W.G. Sebald by repurposing existing copies of his 1988 three-part prose poem, from which the show borrowed its title. Called "an arresting gesture" by The New Yorker's Peter Scheldahl, the catalogue consists of the original book, enriched with images that have been hand-placed between the pages, and a new fold-out dust jacket. The result is a singul... |
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After Perestroika: Kitchenmaids Or StateswomenThrough works in a variety of media, 18 post-Perestroika artists vigorously challenge the old Soviet State's depiction of women.... |
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After the Fact: Thomas Demand, Lucy Harrison, Emma Kay, Matt O'dell, Abigail Reynolds, Jamie Shovlin, Martin Vincent... |
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After the Hunt: The Art Collection of William B. Ruger"As I embarked on this novel journey exploring how each of these works figured into the history of art, I never dreamed how much I would learn about both my grandfather and his collection after a decade of close observation." In After the Hunt, Adrienne Ruger Conzelman catalogs the art collection of her grandfather, arms maker William B. Ruger. The American West and sporting art are most prominent in his collection. Seth Eastman's "Winnebago Encampment," Alexander Phimister Proctor's "The Indian... |
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After the Photo-Secession: American Pictorial Photography, 1910-1955The beautiful and seductive images of an overlooked movement, reproduced in their full tonal range. Much has been written about Alfred Stieglitz and his role in establishing photography as an art. Little attention, however, has been paid to the pictorial photographers who followed Stieglitz, among them Imo Jean Cunningham, Edward Weston, Clarence H. White, and a host of others who, in a widespread movement, approached photography in a painterly fashion, creating beautiful images th... |
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After the RealityThis slim but explosive glossy-magazine-sized paperback, designed by the talented Japanese art collective, Enlightenment, and edited by the Tokyo-based curator and gallerist, Hiromi Yoshii, collects new work by a small and tightly interrelated group of Japan's most exciting new artists, all of whom are involved in portraying what could be described as a 'post-reality world.' Brought together by Yoshii for the exhibition, After the Reality, at New York's Deitch Projects this past summer, the work... |
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After the Ruins, 1906 and 2006: Rephotographing the San Francisco Earthquake and FireHow exactly has San Francisco's urban landscape changed in the hundred years since the earthquake and cataclysmic firestorms that destroyed three-quarters of the city in 1906? For this provocative rephotography project, bringing past and present into dynamic juxtaposition, renowned photographer Mark Klett has gone to the same locations pictured in forty-five compelling historic photographs taken in the days following the 1906 earthquake and fires and precisely duplicated each photograph's vantag... |
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After the Scream: The Late Paintings of Edvard MunchExpressing the anxieties of the late nineteenth century and the uncertainties of the modern world, Edvard Munch (1862-1944) often depicted in his works dangerously seductive fin de siècle women, sickly figures, and isolated characters in barren landscapes. These powerful, haunting paintings are widely recognized and revered, especially his iconic work The Scream (1893). Yet few admirers of Munch's early works realize that the artist lived well into the twentieth century and was enormously produ... |
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