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Photography After FrankIn Photography After Frank, former New York Times writer and picture editor Philip Gefter narrates the tale of contemporary photography, beginning at the pivotal moment when Robert Frank commenced his seminal works of the 1950s. Along the way, he connects the dots of photography's evolution into what it is today, forging links between its episodes to reveal unsuspected leaps. Gefter takes Frank's The Americans as a decisive challenge to photographic objectivity, with its grainy, off-hand-seeming... |
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Images in the Margins (The Medieval Imagination)Images in the Margins is the third in the popular Medieval Imagination series of small, affordable books drawing on manuscript illumination in the collections of the J. Paul Getty Museum and the British Library. Each volume focuses on a particular theme and provides an accessible, delightful introduction to the imagination of the medieval world. An astonishing mix of mundane, playful, absurd, and monstrous beings are found in the borders of English, French, and Italian manuscripts from the... |
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Abstract AmericaA radical new generation of American abstract painters has emerged in the twenty-first century. Whereas their predecessors advanced abstraction in the shadow of the Cold War, this new generation arose at the cusp of the transition to the digital era and is marked by the traumatic events surrounding 9/11 and its ongoing social and political aftermath. In these shifting times the artist’s alter ego might well be the DJ—brushstrokes are replaced by "riffs" while "old school" palettes are disc... |
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Remix: Making Art and Commerce Thrive in the Hybrid EconomyThe author of Free Culture shows how we harm our children—and almost anyone who creates, enjoys, or sells any art form—with a restrictive copyright system driven by corporate interests. Lessig reveals the solutions to this impasse offered by a collaborative yet profitable “hybrid economy”. Lawrence Lessig, the reigning authority on intellectual property in the Internet age, spotlights the newest and possibly the most harmful culture war—a war waged against our kids and others who creat... |
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Hearst Castle: The Biography of a Country HouseNewspaper tycoon William Randolph Hearst and his legendary California estate occupy a place in the public imagination through Orson Welles's Citizen Kane, but Kane's brooding Xanadu was merely a caricature of Hearst's exuberant castle at San Simeon. This new book sets the record straight and proves that, for once, truth is better than fiction. Here for the first time is the real story of Hearst Castle, and of the productive 28-year relationship between Hearst and his architect, Julia Morgan, ... |
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Art Deco: 1910-1939Art Deco swept across the globe during the 1920s and 1930s and created the defining look of the interwar years. In an era of contradictions that encompassed both the Roaring Twenties and the Great Depression, it imbued everyday life with elegance and sophistication. It transformed the skylines of cities as diverse as New York and Shanghai and touched the design of everything from Hollywood films to clothing to luxury liners and locomotives. Art Deco was the style of hedonism, of indulgence, and ... |
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Marlene Dumas: Measuring Your Own GraveIn her expressionistic drawings and paintings of the last three decades, acclaimed South African artist Marlene Dumas has focused on the human figure, probing themes of love, desire, despair and confusion in order to slyly critique social and political attitudes toward women, children, people of color and others who have historically been victimized. From her evocative portraits, based on photographs of friends and family as well as figures culled from printed pornography, to her large-scale ima... |
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Part One: The Death Squad (On the Run)Part One entered the subway graffiti movement in 1974 just after the foundation for piecing had been laid down. He began doing the bubble and mechanical styles of the era, and by 1975-6 he truly came into his own. From 1977 to 1980 few writers could compete with Part One and his TDS partners. These young men burned the subway lines from Brooklyn to the Bronx with their elaborately stylized letterforms and innovative color schemes. At the time Part One s aliases Fudge 357 and Worm 2 were seen on ... |
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Windows on Nature: The Great Habitat Dioramas of the American Museum of Natural HistoryNew York City's American Museum of Natural History is a national treasure, attracting four million visitors annually. Its dioramas-a dazzling mixture of nature, science, and art-have inspired young and old alike, and are world-renowned examples of the unique diorama craft: art in the service of science. Now, in the only book of its kind, readers get an insider's view of these "windows on nature," witnessing their creation step by meticulous step.More than forty of the museum's finest dioramas ... |
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