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Georgia O'Keeffe and Ansel Adams: Natural AffinitiesAnsel Adams and Georgia O'Keeffe first metin Taos, New Mexico, in 1929. She was already an established artist, while he was at the beginning of his career, and their friendship lasted for the rest of their lives.GEORGIA O'KEEFE AND ANSEL ADAMS: NATURAL AFFINITIES suggests parallels in their distinctive visions of both natural and human-made environments and illustrates the artists' achievements in capturing the reality and essence of the world around them. More than 100 beautifully reproduced pa... |
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Art:21: Art in the Twenty-First Century 4Who are today’s artists? Why do they do what they do? How do they describe their work? These are some of the questions addressed in this companion volume to the fourth season of the Emmy-nominated PBS series. Using the artists’ own words, together with images culled from the documentary’s footage and generous selections of their works, the book provides an extraordinary behind-the-scenes look into the creative process. The artists are shown at home, in the studio, and in the community, in ... |
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2010 Enchanting New Mexico Calendar: Paintings of the Land of Enchantment
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Vincent Van Gogh: The Drawings (Metropolitan Museum of Art Series)Vincent van Gogh (1853–1890) believed that drawing was “the root of everything.” A self-taught artist, he succeeded, between 1881 and 1890, in developing an inimitable graphic style. This book traces the artist’s successive triumphs as a draftsman, first in the Netherlands and later in France, highlighting the diversity of his technical invention and the striking continuity of his vision. Given the pivotal role drawings played in Van Gogh’s artistic conception and the rich dialectic th... |
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America's Art: Masterpieces from the Smithsonian American Art MuseumAfter being closed for several years, on July 4, 2006, The Smithsonian American Art Museum will celebrate the grand reopening of its newly restored building, home to the world's premier collection of American art. Those who cannot attend can console themselves with this magnificent volume, which puts the museum's galleries at their fingertips. Edward Hopper, Georgia O'Keeffe, and Nam June Paik are just a few of the artists represented in a book that spans all of American history and features g... |
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Internet 101 for Artists, Second Edition: With a Special Guide to Selling Art on eBayEducate yourself on all aspects of promoting your artwork online. This book includes a thirty-page chapter on the methods Susan F. Greaves, a California artist, has developed to successfully sell her work on eBay and make thousands of dollars per year. You'll also learn about: acquiring a URL, broadcasting for results, designing your homepage, meta tags, guerrilla tactics, search engines, tracking visitors, and more. Constance Smith began her career as an art rep in California. She has ... |
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Spectrum 4: The Best in Contemporary Fantastic ArtFor nearly 15 years, Spectrum has been known as the premiere annual showcase for fantasy artwork. Early editions are now collector’s items, priced out of the reach of most buyers, but fortunately, this reissue makes Spectrum 4 available again to fans new and old. In its pages are 250 dazzling full-color works by nearly 175 fantasy artists from around the world, including James Gurney, Rafael Olbinski, and the year’s Grand Master Award winners, Leo Dillon and Diane Dillon.... |
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Sophie Calle: Did You See Me?The work of conceptual artist Sophie Calle embraces numerous media: photography, storytelling, film, and memoir, to name a few. Often controversial, Calle's projects explore issues of voyeurism, intimacy, and identity as she secretly investigates, reconstructs and documents the lives of strangers—whether she is inviting them to sleep in her bed, trailing them through a hotel, or following them through the city. Taking on multiple roles—detective, documentarian, behavioral scientist and diari... |
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Exhibition DesignA survey of the conceptual themes and practical concerns—display, lighting, color, sound, and graphics—of exhibition design. Today exhibitions have to compete in an increasingly sophisticated leisure market. Consequently, the way in which the contemporary exhibition is designed is changing fast; previously aloof cultural institutions are making use of technologies and techniques more commonly associated with film and retail. Exhibition-making is now synonymous with image-making, communicati... |
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