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The Magic of ThingsOf painting's enduring genres, it may be the still life that offers the most brazen opportunities for virtuoso flourish, and that most closely approximates painting itself, as an art of arrangement of color, texture and light. Glistening dew drops on flower petals, contorted reflections of light on glass goblets and silver dishes, candied sweets heaped up in Chinese porcelain, the textures of fur, cloth, metal and bone--the rendering of such objects demands of an artist not only skill but an ins... |
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FerusUnder the seminal direction of Irving Blum, Ferus Gallery quickly became one of the leading galleries on the West Coast, showing important and groundbreaking works—including Andy Warhol’s Campbell’s Soup Cans, Roy Lichtenstein’s Drowning Girl, and Ed Ruscha’s Los Angeles County Museum on Fire—and helping to launch the American Pop movement. The book was first published on the occasion of the 2002 exhibition of the same name at Gagosian’s Chelsea gallery. A timeline documenting the... |
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The ABC's of Bauhaus, The Bauhaus and Design TheoryThe ABC's of Bauhaus traces the origins and impact of the Bauhaus in relation to design, graphic design, and typography. The book, designed by the authors, invokes the Bauhaus ideal of synthesizing editorial concept, typography, and format. The essays address such issues as modernist design theory in relation to the nineteenth-century kindergarden movement and Bauhaus graphic design in relation to the idea of a universal "language" of vision. Additional essays address psychoanalysis, fractal geo... |
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Art of the Korean Renaissance, 1400-1600 (Metropolitan Museum of Art)This notable catalogue—the first English-language publication on the subject—highlights the art of the early period (1392–1592) of Korea’s revolutionary Joseon dynasty. The Joseon rulers replaced the Buddhist establishment and re-created a Korean society informed on every level by Neo-Confucian ideals. They supported the production of innovative secular art inspired by past traditions, both native and from the broader Confucian world. Yet despite official policies, court-sponsored Buddhi... |
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Hanging Fire: Contemporary Art from Pakistan (Asia Society)Accompanying the first U.S. museum exhibition devoted to contemporary art from Pakistan, this dynamic catalogue provides a groundbreaking look at recent and current trends in Pakistani art. Hanging Fire covers a fascinating range of subjects and media, from installation and video art to sculpture, drawing, and paintings in the “contemporary miniature” tradition. Essays by distinguished contributors from a variety of fields, including Salima Hashmi, Pakistani-American sociologist and historia... |
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James RosenquistThis substantial new catalogue is a major addition to existing scholarship on the important American artist James Rosenquist. Featuring numerous gatefold images, different papers and a silk ribbon, it contains commissioned essays by Carter Ratcliff--who argues that to label Rosenquist a Pop artist is to deny the complexity of his oeuvre and diminish his achievement--and Sarah Bancroft, who suggests that the notion of abstraction is key to understanding all of Rosenquist's work, from 1960 onward,... |
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Galen Rowell: A RetrospectiveGalen Rowell was the archetypal adventure photographer, his iconic images published in leading magazines and scores of books, exhibited in major galleries, and cherished by fans ranging from the Dalai Lama to news anchor Tom Brokaw. When he and his wife and business partner, Barbara Cushman Rowell, perished in a small-plane crash in 2002, he had just completed a landmark assignment for National Geographic and had begun making stunning new images of his favorite old haunts in the Sierra Nevada.Fo... |
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Warhol from the Sonnabend CollectionA renowned gallerist and collector, the late Ileana Sonnabend acquired an impressive collection of seminal work directly from the Warhol studio at the time of its making. Sonnabend was an early and fervent supporter of Warhol, and held three important exhibitions of his work at her Paris gallery, including the series Death and Disasters (1964), Flowers (1965), and Thirteen Most Wanted Men (1967). This beautifully illustrated book includes essays by Picasso biographer John Richardson and leading... |
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Whose Culture?: The Promise of Museums and the Debate over AntiquitiesThe international controversy over who "owns" antiquities has pitted museums against archaeologists and source countries where ancient artifacts are found. In his book Who Owns Antiquity?, James Cuno argued that antiquities are the cultural property of humankind, not of the countries that lay exclusive claim to them. Now in Whose Culture?, Cuno assembles preeminent museum directors, curators, and scholars to explain for themselves what's at stake in this struggle--and why the museums' critics co... |
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