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Rescuing Da Vinci: Hitler and the Nazis Stole Europe's Great Art - America and Her Allies Recovered ItDuring and following WWII, a special multinational group of more than 350 men and women served behind enemy lines and joined frontline military units to ensure the preservation, protection, liberation and restitution of the world's greatest artistic and cultural treasures. This "band of unsung heroes," formally referred to as the Monuments, Fine Arts and Archives (MFAA) section, or commonly referred to as the "Monuments Men," worked tirelessly to track down, identify and catalogue mi... |
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Luis Melendez: Master of the Spanish Still LifeOffers a look at the life and work of Luis Melendez, one of eighteenth-century Europe's greatest still-life painters.... |
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The Venus Fixers: The Remarkable Story of the Allied Soldiers Who Saved Italy's Art During World War IIIn 1943, with the world convulsed by war and a Fascist defeat in Europe far from certain, a few visionaries—civilians and soldiers alike—saw past questions of life and death to realize that victory wasn’t the only thing at stake. So was the priceless cultural heritage of thousands of years.In the midst of the conflict, the Allied Forces appointed the monuments officers—a motley group of art historians, curators, architects, and artists—to ensure that the great masterworks of European a... |
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Bauhaus 1919-1933The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers--among them Anni and Josef Albers, Herbert Bayer, Marcel Breuer, Lyonel Feininger, Walter Gropius, Johannes Itten, Vasily Kandinsky, Paul Klee, Laszlo Moholy-Nagy, Lilly Reich, Oskar Schlemmer, Gunta Stolzl--in an extraordinary conversation on the nature of art in the industrial age. Aiming to rethink the form of modern life, the Bauhaus beca... |
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Fashion (Taschen 25th Anniversary)A fashion history from the 18th to the 20th century Clothes define people. A person's clothing, whether it's a sari, kimono, or business suit, is an essential key to his or her culture, class, personality, or even religion. The Kyoto Costume Institute recognizes the importance of understanding clothing sociologically, historically, and artistically. Founded in 1978, the KCI holds one of the world's most extensive clothing collections and has curated many exhibitions worldwide. With an emphasis o... |
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Japanese Photobooks of the 1960s and 70sThe public profile of the Japanese photography book has recently boomed, from near-complete obscurity to great desirability. And not only for the aficionados. Photobooks that once were entirely unknown outside Japan (except to a few well-informed scholars and collectors) now sell at astronomical prices at auctions and online. And yet the photobook has been central to the development of Japanese photography, particularly in its postwar phase. To sketch the stages of this boom: 1999's Fotografia P... |
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American Stories: Paintings of Everyday Life, 1765-1915 (Metropolitan Museum of Art Publications)This beautiful volume explores American paintings of people engaged in the tasks and pleasures of everyday life between the colonial era and World War I. These works reflect key historical and cultural developments, including the growth of industrialization, urbanization, and immigration; changing gender roles; and the shifting location and meaning of the frontier. Focusing on leading artists, from John Singleton Copley to John Sloan, the authors address narrative content in colonial and early... |
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A Brief History of Curating (Documents)Part of JRP|Ringer's innovative Documents series, published with Les Presses du Reel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field--from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U.S. through the inception of Documenta and the various biennales and fairs--with pioneering curators Anne D'Harnoncourt, ... |
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Mrs. Delany and Her Circle (Yale Centre for British Art)At the age of seventy-two, Mary Delany, née Mary Granville (1700-1788), embarked upon a series of nearly a thousand botanical collages, or “paper mosaics,” which would prove to be the crowning achievement of her rich creative life. These delicate hand-cut floral designs, made by a method of Mrs. Delany’s own invention, vie with the finest botanical works of her time. More than two centuries later her extraordinary work continues to inspire. Although best known for these collages, ... |
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