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The Business of Being an Artist, Third EditionThoroughly updated and expanded, this classic handbook teaches emerging artists all the strategies they need to know for selling artwork on their own or through dealers. The book's new sections target today's vital issues: creating a web site; obtaining copyright/trademark protection on the Internet; coping with censorship of controversial art; and dealing with the new realities of funding sources. Additional chapters tell how to find galleries, arrange exhibitions, apply for grants, la... |
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Some Memories of DrawingsThis beautiful book is a collection of Georgia O’Keeffe’s major drawings, done between 1915 and 1963. Each drawing is accompanied by the artist’s comments, usually on how, why, where, or when she made the drawing. The book was originally published in 1974 in a signed, limited edition of one hundred copies, which has since become a collectors’ item. O’Keeffe’s text was her first writing intended for book publication. This new edition, including an updated bibliography, is intended, in... |
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Understanding International Art Markets and ManagementThis groundbreaking text brings together experts in the field of visual art markets to answer some fundamental questions:Is art a good investment?Why is the art market dominated by America and Western Europe?Where are the key emerging markets and what are the next good buys in art? Providing readers with an understanding of the challenges facing art market 'makers' (dealers, auctioneers, collectors and artists) and the decision-making process experienced by market 'players' and investors, this e... |
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The Treasures of Islamic Art in the Museums of CairoCairo's museums are home to some of the richest collection of Islamic art in the world. Long the seat of great dynasties, whose rulers and descendants both amassed and patronized works of art, Cairo's status as one of the wealthiest and most populous cities of the medieval world is reflected in the exquisite arts and crafts that make up its collections, which expanded in the twentieth century through the purchase of private collections so that they now include not just the arts of the dynasties ... |
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Visions of JapanFollowing on the success of the catalogue raisonné Kawase Hasui: The Complete Woodblock Prints published by Hotei Publishing in 2003, Visions of Japan: Kawase Hasuis Masterpieces brings together in a single volume one hundred of the artists most celebrated prints. Fully illustrated, this publication includes annotated descriptions for each work, as well as two essays on Hasuis life and work by Dr. Kendall H. Brown.... |
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Learning from Museums: Visitor Experiences and the Making of Meaning (American Association for State and Local History Book Series)Why do people go to museums and what do they learn there? What roles can museums serve in a learning community? How can museums facilitate more effective learning experiences? John H. Falk and Lynn D. Dierking investigate these questions in Learning from Museums. Synthesizing theories and research from a wide range of disciplines, including psychology, education, anthropology, neuroscience and museum research, Falk and Dierking explain the nature and process of learning as it occurs within the m... |
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The Prado Museum... |
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Call of the Coast: Art Colonies of New England (Portland Museum of Art)The early twentieth century brought renewed focus upon the image of the coast and witnessed the formation of art colonies in Old Lyme, Connecticut, and Ogunquit and Monhegan, Maine. These creative communities became an inspiration for artists and art students, among them Edward Hopper, Childe Hassam, Robert Henri, Rockwell Kent, and George Bellows. Visually stunning, Call of the Coast: Art Colonies of New England explores the importance of place for artists in these colonies, and the developme... |
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Cecilia Beaux: American Figure PainterAt the turn of the twentieth century, the celebrated American artist William Merritt Chase named Cecilia Beaux "not only the greatest living woman painter, but the best that has ever lived." While Beaux--unlike her contemporaries John Singer Sargent and Mary Cassatt--has not fared well in modernist-driven art history, her work has become the subject of renewed interest on the part of art historians, collectors, and general viewers on both sides of the Atlantic, and her forty-year career represen... |
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