Sort this listing by: Date | Popularity | Alphabetically
|
Augustus Saint-Gaudens in The Metropolitan Museum of ArtThis book recounts the engaging story of a French-Irish immigrant who became the greatest American sculptor of his day. During his lifetime Saint-Gaudens (1848–1907) both contributed to exhibitions at the Metropolitan Museum and served as an advisor to its staff. After his death the Museum continued steadily to acquire his sculptures. Today it owns 45 of the sculptor’s works, ranging from delicate cameos and medals to innovative painterly bas-reliefs to stirring statuettes and portrait busts... |
|
Exhibit Design: High Impact SolutionsEXHIBIT DESIGN presents over numerous full–color examples of the work of the best in exhibit display from trade shows throughout the United States. Featuring examples from industries as varied as clothing, automobiles, electronics, and insurance, this comprehensive volume shows how these designers use color, light, animation, and decorative props to create exhibits that are truly unique, innovative, and memorable.... |
|
Cai Guo-Qiang: I Want to BelieveI Want To Believe accompanies the most comprehensive exhibition to date of the innovative body of work by Chinese-born artist Cai Guo-Qiang--best known for his spectacular artworks using gunpowder and fireworks. It presents a chronological and thematic survey that charts the artist's creation of a distinctive visual and conceptual language across four mediums: drawings made from gunpowder fuses and explosive powders laid on paper and ignited; explosion events, documented by videos, photographs a... |
|
American Museum of Natural History: The Official Guide... |
|
Bruce Nauman: Topological Gardens (Philadelphia Museum of Art)One of the most complex and fascinating artists working today, Bruce Nauman (b. 1941) has assembled a mesmerizing body of work that encompasses video, installation, drawing, sculpture, printmaking, photography, and neon. In 2008, Nauman was unanimously selected to represent the United States at the 53rd Venice Biennale, in an exhibition organized by the Philadelphia Museum of Art. The accompanying catalogue explores the interconnections among several specific themes that have recurred prominentl... |
|
A Drawing Manual by Thomas Eakins (Primary Sources in American)While a teacher at the Pennsylvania Academy of the Fine Arts, the celebrated American artist Thomas Eakins (1844–1916) prepared a drawing manual for his students. The manuscript developed out of his famous lectures at the Academy on linear perspective, mechanical drawing, reflections, and sculptural relief and included illustrations by the artist. Following his forced resignation from the Academy in 1886, Eakins abandoned plans to publish the manual, and the parts were dispersed. Today, drafts... |
|
The Rublev Trinity: The Icon of the Trinity by the Monk-painter Andrei RublevMany art historians and scholars have described the sublime icon of the Holy Trinity by St Andrei Rublev, but nothing equals this detailed and comprehensive theological explanation by Benedectine monk Gabriel Bunge. In this inspired and utterly sober work, Fr Gabriel aims to make the icon's timeless message accessible to the contemporary praying believer. The author understands precisely that Russian iconographic art, much more than the Romanesque and Gothic sacred art of the West, represents a ... |
|
Charles Deas and 1840s America (The Charles M. Russell Center on Art and Photography of the American West)Charles Deas (1818-67), an enigmatic figure on the edge of mainstream artistic circles in mid-nineteenth-century New York, went west to explore new opportunities and subjects in 1840. From his adopted hometown of St. Louis, Deas sent his iconic paintings of fur trappers and Indians back east for exhibition and sale, briefly winning the recognition that had earlier eluded him. This handsome volume--featuring more than 150 illustrations, 70 in color--is the first book exclusively devoted to Deas.... |
|
Color ChartColor Chart addresses the impact of standardized, mass-produced color on the art of the past 60 years. Taking the commercial color chart as its central metaphor, this volume chronicles an important artistic shift that took place during the middle of the twentieth century: a frank acknowledgment of color as a matter-of-fact element rather than a vehicle of spiritual or emotional content. Collected here are more than 40 artists who explore in their works the double meaning of "ready-made color"--c... |
|
|
