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National Geographic Photographs: The MilestonesThe extraordinary history of National Geographic photography spare more than a hundred years and tens of thousands of unforgettable pictures, a history never before fully presented. Since January 1896, when the subtitle "An Illustrated Monthly" was first added to the magazine's masthead, the Geographic has maintained a tradition of photojournalistic excellence that continues to set new standards, both artistic and technical. With the publication of startlingly unique photographs from great exp... |
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African Gods: Contemporary Rituals and BeliefsIn African cultures, the spiritual and the physical exist in close communion. This relationship explains many aspects of African societies. The connection between the natural and the supernatural, the visible and the invisible, and the human and the divine, is maintained in a state of equilibrium through prayer and ritual. These representations of the divine forces on Earth occupy a central place in African society. Juju priests, shamans, and healers are not only the guardians of tradition, but ... |
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Stepping Through the AshesMany photographers have recorded the devastation of September 11, but Eugene Richards transcends description to offer instead a way of beginning to come to terms with this tragedy. He says, "the fenced-in sight of the World Trade Center has been largely dealt with as a crime scene, as a 'marvel' of destruction, or as the tourist attraction it is fast becoming. What I see when I stare downtown is an ever-evolving repository for the missing, a focal point for grieving, for remembering, for reflect... |
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FSA: The American VisionThe photographs produced by the FSA during the Great Depression constitute one of America’s greatest artistic legacies. The project launched a stellar group of young photographers, including Dorothea Lange, Walker Evans, Ben Shahn, Carl Mydans, Arthur Rothstein, Marion Post Walcott, and Gordon Parks, who fanned out across America and created images of intense power and poetry. Thousands of FSA photographs have been exhibited and published, and we may feel that we know them well. For this rem... |
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Best of Twins (Postcard Book, 19)... |
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In Arab Lands: The Bonfils Collection of the University of Pennsylvania MuseumFrom street scenes to portraits, landscapes to architectural studies, this fascinating collection of photographs allows us to glimpse a time and way of life now past: Ottoman Syria, Palestine, and Egypt in the latter half of the nineteenth century. P. Felix Bonfils was the first French photographer, and one of the first European photographers, to settle in the Near East, establishing a studio in Beirut in 1867. He is credited with introducing the genre of Near Eastern photographic portraiture,... |
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A Thousand Hounds (Taschen specials)A Thousand Hounds is much more than just a bunch of dog pictures. This book features the work of numerous famous photographers and artists (from Picasso to Man Ray, Wolfgang Tillmans to David Salle, and of course Elliott Erwitt and William Wegman), as well as captivating essays on the presence of dogs in the history of photography and their relations with man. Okay, AND a bunch of dog pictures. Cute and fun.... |
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David HilliardDavid Hilliard’s vibrant color photographs, usually triptychs or larger compositions, present elaborate narratives exploring a range of themes and situations, from the awkwardness of adolescence to masculinity disarmed. Formally, these staged photographs share the style of contemporary photographers like Gregory Crewdson and Anna Gaskell, among others. Yet Hilliard draws less from the realm of the fantastic and instead looks to his immediate surroundings to draw inspiration, as he deftly fuses... |
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Boris Mikhailov: Salt LakeIn the southern Ukrainian town where Boris Mikhailov's father was born, a factory spills untreated water directly out into the open sea. Believing these waters to have healing powers, the local people enjoy swimming in it. All year round, families gather on the shore; on-lookers might be reminded of a Russian Baden-Baden. Mikhailov shot the filmic, black and white sequence of Salt Lake in 1986, capturing a Russian bohemia of uncanny, eery proportions and muted light. Scene upon strangely timeles... |

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