Sort this listing by: Date | Popularity | Alphabetically
|
Women in the Material WorldA companion to the groundbreaking bestseller Material World: A Global Family Portrait, this remarkable volume portrays the striking similarities and profound differences in the lives of women around the world at the dawn of the twenty-first century. Under the direction of Faith D’Aluisio and Peter Menzel, a team of renowned women journalists traveled the world to take a close look at the lives of women in twenty disparate lands. In first-person interviews of startling candor, the women share t... |
|
Magnum Photos: Georgian Spring-A Magnum JournalIn this volume, ten Magnum photographers turn their lenses on contemporary Georgia. Situated on the cusp of Russia and Asia, but with a European culture dating back to the 7th century BC, Georgia was forcibly incorporated into the Soviet Union in 1922. Its independence was restored in 1991, but it then suffered from civil war and a breakdown of its economic infrastructure. In the last decade, however, despite ongoing tensions in its relations with Russia, Georgia has mounted a spirited comeback.... |
|
In Search of Norman Rockwell's AmericaIn this unprecedented collection, photojournalist Kevin Rivoli proves that the idealistic, all-American views found in Norman Rockwell's classic illustrations are, in fact, accurate and timeless portrayals of a nation that truly does exist. Some critics argue that Norman Rockwell's images are overly sentimental, old-fashioned, and contrived. Yet it was always photojournalist Kevin Rivoli's belief that the themes that make Rockwell's illustrations so poignant -- patriotism, faith, family, and sp... |
|
What RemainsInternationally acclaimed artist, Sally Mann, named 'America's Best' photographer in 2001 by Time-® magazine, offers this deeply felt meditation on morality. Renowned for her candid portrayal of family life (Immediate Family), her revealing study of girlhood (At Twelve), and landscapes from the American South (Mother Land and Deep South), internationally acclaimed photographer Sally Mann has produced a powerful new body of work on the one subject that affects us all. In WHAT REMAINS, a five-par... |
|
Magic Lantern Guides: Canon EOS-1D Mark III EOS-1Ds Mark IIIPhotographers will happily welcome Canon’s two new professional-level cameras the EOS 1D Mark III and EOS 1Ds Mark III. They both offer numerous cutting-edge features to delight skilled shutterbugs. The 1D Mark III has a new 10.1 megapixel CMOS sensor (APS-H size) with Canon’s EOS Integrated Cleaning System; a 3.0-inch LCD monitor with Live View technology and a redesigned 100% viewfinder; and a new 45-point AF system. It can shoot up to 10 frames per second continuously with a maximum burst... |
|
New York: 365 DaysSpanning more than 100 years, New York: 365 Days is a spectacular collection of then-and-now photographs that capture the rhythms and moods of the greatest city in the world. Selected from the vast archive of The New York Times, the extraordinary images in this book include many rarely-seen moments, with stops at famous landmarks and memorable events as well as a dizzying array of evocative everyday New York scenes. Featuring an introduction by bestselling New York writer Gay Talese, New York:... |
|
Still Life : Irving Penn Photographs, 1938-2000Irving Penn is acknowledged as a master of the still life genre. This is the first book devoted solely to Penns elegant and original still life work. Penn has personally overseen every detail of this exquisite books design and production. Still Life is certain to be one of the most powerful photography books of the new century.... |
|
101st Airborne: The Screaming Eagles in World War IIThe legendary “band of brothers” in WWII in stirring words and pictures, from their historic landing in Normandy to the Allied victory in Europe.... |
|
The Civil Contract of PhotographyIn this groundbreaking work, Ariella Azoulay provides a compelling rethinking of the political and ethical status of photography. In her extraordinary account of the "civil contract" of photography, she thoroughly revises our understanding of the power relations that sustain and make possible photographic meanings. Photography, she insists, must be thought of and understood in its inseparability from the many catastrophes of recent history. Azoulay argues that photography is a particular set ... |
|