Soften Fog with a Gray Layer Mask in Photoshop
Use a fog brush on a separate layer, then paint on its mask with 50% gray to soften the effect without hiding it completely. Adjust the blend mode, opacity, and placement to fit your image.
A comprehensive collection of Photoshop tutorials covering various techniques, tips, and tricks to enhance your skills and creativity.
Use a fog brush on a separate layer, then paint on its mask with 50% gray to soften the effect without hiding it completely. Adjust the blend mode, opacity, and placement to fit your image.
Guide attention to your product with selective lighting and editable tonal adjustments. Keep the original artwork untouched while refining exposure, contrast, shadows, and highlights.
Use Camera Raw masks as Photoshop selections, refine portraits with reflection removal, and add lighting with Relight layers. These practical settings can help speed up common editing tasks.
Use Photoshop’s individual color channels to tint shadows and highlights while keeping skin-tone midtones neutral. Save the finished grade as a reusable Curves preset.
Select subjects, objects, colors, and fine edges with less manual work. Use masks and selection adjustments to clean up halos and blend images.
Photoshop’s Rotate Object tool lets you turn a flat image into a new angle or perspective using interactive controls. The workflow starts by converting the subject layer to a Smart Object and opening the tool from the Contextual Task Bar. You can rotate and tilt the result, then refine...
Photoshop Beta introduces a redesigned interface with a new toolbar, updated color picker, and refreshed controls in several panels. This walkthrough shows where to find the new options, how to switch back to the previous interface, and how to compare edits with Quick Compare. The changes are still in beta,...
A polished composite starts with a well-retouched subject. Jesús Ramirez demonstrates how to use partner models for larger changes, Firefly for targeted cleanup, and separate editable layers to prepare a portrait for a new background. The workflow covers hair, skin, clothing, lighting, and background removal while keeping adjustments modular...
Thin halos along the edge of a mountain, treeline, or other subject can become more obvious as you edit a photo. Fixing them early helps prevent contrast adjustments from exaggerating the problem. This Photoshop workflow uses a downloadable action to create a targeted selection, then the Clone Stamp to clean...
Upscaling can make a small or heavily cropped image more useful for printing, sharing, or design work—but restoring damaged edges and missing areas takes additional steps. This guide compares workflows in Lightroom, Photoshop, and Firefly, including how to choose an upscale model, clean up borders, expand a frame, and...
Photoshop Beta is testing interface and editing updates that can make common tasks easier to find and manage. This overview covers the Spectrum interface and color picker, Restyle Layer, Quick Compare, and an updated Remove tool workflow—including ways to keep edits nondestructive and check how generative changes affect image...
Layer masks let you hide or reveal parts of a layer without deleting pixels, so you can refine edits whenever your composition changes. Learn the essential rule—black conceals, white reveals—and use masks to blend overlays, isolate objects, apply adjustments selectively, and keep edits reversible. Watch the Video Practical...
Photoshop Beta’s updated Remove Tool can look beyond the selected object and attempt to remove related details, such as reflections and shadows. The extra cleanup can help with simple scenes, but it may also alter nearby areas or produce uneven results. See how to switch between Related Elements and...
Turn client photos into a range of visual concepts before building the final design. Adobe Firefly Boards lets you test poster styles and compositions using the client’s images as references, then use the selected concept as a guide for a full-resolution Photoshop composite. This workflow covers mood-board...
Recoloring an object is straightforward when its color stands apart from the rest of the image, but similar tones in skin, hair, or the background can make a clean edit harder. This workflow starts with Photoshop’s color adjustment controls, then refines the color range and uses a layer mask...
Photoshop’s beta introduces a refreshed interface with clearer icons, updated adjustment panels, and tool groups that open on hover. The changes affect the way familiar controls look and are arranged, but not how the core editing tools work. Learn where to enable the new design, how to switch it...
Photoshop’s Relight Layer lets you reposition and adjust up to three AI-generated light sources to change the direction, color, and softness of lighting in a photo. It’s available in Photoshop beta, where you can preview the effect before committing to a higher-resolution render. See how to...
Manipulating light and atmosphere in Adobe Photoshop relies on replicating physical optics rather than relying on heavy digital compositing. Modern photographic editing focuses on volumetric haze, controlled highlight diffusion, kinetic light motion, and subtle analog imperfections to establish a compelling, ethereal atmosphere. This guide explores key techniques for shaping natural...
Screens create color by emitting red, green, and blue light; paper shows color by reflecting light through layers of ink. Because ink cannot reproduce every bright color a screen can display, some prints look duller than their digital previews. Understanding the difference between RGB and CMYK helps you choose the...
Build a watercolor illustration in Photoshop by layering translucent brushstrokes over textured paper. The process starts with shadows, preserves the paper’s light areas as highlights, and gradually adds color and texture. You’ll also see how splatters, drips, and blooms can give a finished painting a more natural, hand-...
Generic AI images often result from leaving too many creative choices to the model. A more deliberate prompt works like an art director’s brief: describe the subject, pose, setting, composition, lighting, and color. Using a reference image and professional visual language can help you guide the result while keeping...
Blend modes control how the colors and tones on one layer interact with the layers below it. Learning a few core modes makes it easier to combine images, add textures, adjust contrast, remove dark or light backgrounds, and refine colors. This lesson explains how blend mode groups work and demonstrates...
Photoshop’s Relight layer lets you reposition and adjust light on a selected subject after taking the photo. It can help match a subject to a composite scene, but the beta feature costs 30 credits to generate and may reduce image resolution. This walkthrough shows how to set up the...
Reflections can hide the subject of a photo, while foreground clutter can pull attention away from the scene. Photoshop’s AI tools can separate reflections, identify distractions, and help replace objects that need a more careful fix. This workflow shows how to remove a window reflection, choose which detected elements...