Photoshop's Light adjustment layer brings Camera Raw-style tonal controls — exposure, contrast, highlights, shadows, whites, and blacks — directly into a non-destructive layer workflow. The real value isn't in what the sliders do individually, but in how you sequence them to expand dynamic range and reveal detail in both shadows and highlights.
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Practical Tips
Here are the key techniques covered in this tutorial for getting the most out of the Light adjustment layer workflow.
- Start by reducing contrast slightly (around −5) before touching other sliders — cameras tend to add contrast by default, and pulling it back gives you more room to recover detail.
- Pull highlights to the left first, sometimes all the way, to recover sky and cloud detail before adjusting exposure — this prevents compensation issues later.
- Raise shadows gradually to open up dark areas, but stop before the image looks illustrative or flat; a small amount of shadow depth should remain.
- Use whites and blacks last to restore punch — push whites up to clean milky highlights, and pull blacks left to anchor the darkest tones after recovery.
- Duplicate the Light adjustment layer and use a sky selection mask to apply a doubled effect only where needed, going beyond what a single layer's sliders can achieve.
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